I think that, with Bridge to Terabithia since it's not set in the 80s like the book, it worked better to have Leslie as a bit of a punk/skateboarder-type dresser instead of a straight tomboy, since nowadays a girl dressing and looking like a boy isn't that uncommon . . . It made her stand out more in her uniqueness.
I loved the movie, personally. I thought it was a good adaptation to the book in that it expounded a lot more than the book did. I still like the book, but the movie brought something to the story that I liked a lot. I think they got the characterizations down-pat and the acting was excellent. I really do like AnnaSophia Robb and Josh Hutcherson.
P.S."Brooklyn!"
I don't even remember that they made Leslie into a punk/skateboarder girl. Shows you how much attention I was giving it.
Sorry, Glenstorm, but I found '07 Wentworth very, very week. His acting is so wooden! Would it really hurt you to express a little emotion, buddy? It's probably just personal preferences coming in here - I can definitely overlook overacting more easily than I can overlook woodenness - but if there's any Austen hero who shouldn't be wooden, it's Wentworth. Part of the point is that he's merry and jubilant enough to make his natural behavior with the Musgrove girls look like flirtation, AND that his good spirits will balance well with Anne's more sombre outlook on life. RPJ wasn't Wentworth at all; he was a Stock Brooding Regency Hunk.
Wow, ignore some of the invective. I didn't know I felt so strongly about this. Maybe I need to watch it again. Or ... maybe not.
I will say that the Wentworth was far from the worst part of the production. If everything else had been all right, I could probably have ignored his inexpressiveness. I could not ignore Mary's strange mannerisms (as one reviewer asked, "Was she having a stroke?") and the Bath Marathon. *grinds teeth*
Honestly, after the two recent Mansfields, this may be my least favorite Austen adaptation. That or the Keira Knightley P&P. (But again, the MPs definitely take the cake.)
~~~~~
"You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it."
~~~~~
I'm sure this is not the sort of question one should ask unless they wish to stir up a controversy, but I'm quite interested to know why Jane Austen fans are so against the 2005 P&P.
I just recently read the book, and was quite expecting it to be VERY different from the 2005 movie, since I had heard many fans say they didn't like it. Instead I found that it was very much like the book. I felt that both the 2005 and the 1995 captured the book wonderfully; Certain casting choices I liked better from the 2005 version (Jane, Elizabeth, Mr. Darcy) and certain casting choices I liked better from the 1995 version (Lady Catherine, Mrs. Bennet, Lydia) but I saw no real problem with the 2005 version. As I'm not an avid Jane Austen fan, I'm interested to see the perspective from one (or two, or three ) who is.
I'll always be a,
NL101
Rest in Peace Old Narniaweb
(2003-2009)
Ehhh ... AnnaSophia was a little too pretty and girly-girly for Lesllie. I wanted a bit more of a tomboy. But she gave a decent performance. Most everyone did. The actual visualizations of the fantasy world and the updating of the story were really turned me off. It lost that gritty, nostalgic feel that made the book work so beautifully.
I love that she looked more like a girl! I really don't like the description of her in the book.....she sounded too boyish.....Annasophia was just right!
NW sister - wild rose ~ NW big sis - ramagut
Born in the water
Take quick to the trees
I want all that You are
https://www.youtube.com/watch?v=EADBC57vKfQ
Speaking of The Bridge to Terebithia, I saw it a few years ago, but upon a more-recent rewatch I recognized the voice of Jack Aarons (the father, portrayed by Robert Patrick). He voiced a rather different role, the honorable sword master Piandao, in 2 episodes of the animated Avatar: The Last Airbender.
Inspired by my recent rereading of Jim Lovell's book Lost Moon, I watched Apollo 13 again over the weekend. Despite some liberties taken with the actual events (some were omitted, probably to simplify things and for running time), it's one of my favorite movies. Good casting and soundtrack. And look for a cameo by the real Jim Lovell near the end of the movie.
But all night, Aslan and the Moon gazed upon each other with joyful and unblinking eyes.
narnialover101: I know what you mean, I seem to be the only Austen fan who loves the 05 version. It's my favorite Austen adaption. I just love it
lysander: I see what you mean by wooden. It seemed like he never smiled and was always somber and mad, but I still liked him. Hinds wasn't that "jolly" either . I have to say I don't remember anything strange about Mary, but yeah, like I said before, I didn't enjoy the Bath Marathon either.
Rising_Star: I agree with what you said about Bridge to Terabithia .
narnialover, I'm looking at some of the reviews of criticism of the '05 P&P online, and these seem to be the major problems people have with the film (most of which I agree with):
- The film focuses on the love story, losing some of the funnier and more socially relevant aspects of the novel.
- It is rushed, and at times, difficult to follow.
- Many of the costumes, sets, hairdos etc., are historically inaccurate.
- The women go around bareheaded! Put your bonnets on, girls. Scandalous stuff!
- The Bennetts' home, clothes, etc., look like they should belong to people of a much lower class. They certainly wouldn't have had pigs wandering around the house. And Mr. and Mrs. Bennett would not have been in the kitchen. Also, the dancing is more rustic than would be appropriate for the best families of the county - to say nothing of the Bingleys! - to participate in.
- Keira Knightley's Elizabeth is perhaps a little too self-consciously a "modern woman."
- MacFayden's Darcy is not at all prideful, more shy and sensitive.
- Elizabeth and Darcy seem to fancy each other from their first meeting, which is not as it is in the book.
- The tone throughout is more like Hardy than Austen. (Again, the pigs.)
- Many of the comic characters, such as Mrs. Bennett, Mr. Collins, and Lady Catherine deBourgh, were softened and "humanized."
- On the other hand, Bingley was made into a total dimwit.
- There is a shocking lack of propriety throughout. Lady Catherine shows up at the Bennets' in the middle of the night, at which point Mr. Bennett answers his own door in his nightgown. (It would have been a servant.) Bingley and Darcy at different points enter Jane and Elizabeth's rooms respectively (the first while she was in bed!). Darcy and Elizabeth meet for the second proposal dressed in next to nothing. It simply wasn't done.
- There's a bunch of innuendo, including a close-up of pig genitalia, Lizzie checking out Wickham's behind, and a Freudian slip by Mr. Collins during one of his sermons.
Again, these are not all my criticisms, and I don't agree with every single one of them. Overall, the innuendo, inaccuracies, lack of etiquette, lack of bonnets, probably bother me the most. I do love the cinematography, and the music, and some of the performances. Rosamund Pike is a perfect Jane, and Judi Dench, Brenda Blethyn, and Tom Hollander are pretty good as Lady Catherine, Mrs. Bennett, and Mr. Collins respectively.
~~~~~
"You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it."
~~~~~
- The film focuses on the love story, losing some of the funnier and more socially relevant aspects of the novel.
- It is rushed, and at times, difficult to follow.
maybe true, but the film was shorter so you can't have everything in two hours.
- Many of the costumes, sets, hairdos etc., are historically inaccurate.
- The women go around bareheaded! Put your bonnets on, girls. Scandalous stuff!
what's historically inaccuacurate besides no bonnets?
- The Bennetts' home, clothes, etc., look like they should belong to people of a much lower class. They certainly wouldn't have had pigs wandering around the house. And Mr. and Mrs. Bennett would not have been in the kitchen. Also, the dancing is more rustic than would be appropriate for the best families of the county - to say nothing of the Bingleys! - to participate in.
I agree with that pretty much, but the dancing doesn't bother me. We actually do a few of those dances at our church sometimes (we occasionally have period balls there )
- Keira Knightley's Elizabeth is perhaps a little too self-consciously a "modern woman."
modern how?
- MacFayden's Darcy is not at all prideful, more shy and sensitive.
- Elizabeth and Darcy seem to fancy each other from their first meeting, which is not as it is in the book.
not true. Neither of those thoughts ever crossed my mind while watching the movie.
- Many of the comic characters, such as Mrs. Bennett, Mr. Collins, and Lady Catherine deBourgh, were softened and "humanized."
humanized how? I thought Lady Catherine deBourgh was perfectly despicable. And in the book you aren't really supposed to dislike either Mrs. Bennet or Mr. Collins.
- On the other hand, Bingley was made into a total dimwit
*gasp* LIES ! Bingley was perfect! I love him so much in this movie!
- There is a shocking lack of propriety throughout. Lady Catherine shows up at the Bennets' in the middle of the night, at which point Mr. Bennett answers his own door in his nightgown. (It would have been a servant.) Bingley and Darcy at different points enter Jane and Elizabeth's rooms respectively (the first while she was in bed!). Darcy and Elizabeth meet for the second proposal dressed in next to nothing. It simply wasn't done.
I agree with that too, minus the dressed in next to nothing. They both had at least two layers of "nothing" on.
There's a bunch of innuendo, including a close-up of pig genitalia, Lizzie checking out Wickham's behind, and a Freudian slip by Mr. Collins during one of his sermons.
I didn't even notice the part with "Wickham's behind". The other two don't bother me really, and I don't recall any other innuendo.
Sorry, just trying to defend my beloved movie .
yeah, Pride and Prejudice 2005,
I have yet to notice any innuendo in it, maybe two things, but not half as bad as what I read on the board, no offense meant to anyone. I just don't see it.
*jumps into the fray (not the band) *
Well, if it makes you feel any better Lys, I agree with most of what you posted about P&P '05. I also disliked how most of the secondary characters have no character development. They seem to enter, say their lines and leave.
Yes, I know it's only slightly over 2 hours long, but look at Batman Begins. Even the "minor" characters got enough screen time to have some character development.
About the innuendo: Honestly, I only noticed two things that could fall under that title, the useless pig scene and the time that Mr. Collins slips-up in his sermon. There were nude statues and paintings in the film, but none of them looked like anything "racy", just classic painting and sculptures.
Avvie by the great Djaq!
http://bennettsreviews.blogspot.com/
^ Short tribute to James Horner (1953-2015)
I still have no idea what people are talking about when they mention the "pig scene" in the '05 P&P! Seriously, I never noticed any innuendo except for Collins's slip (that's kinda hard to miss) and Lizzie checking out Wickham.
P.S."Brooklyn!"
I'm going to be quote Glenstorm the whole way, just t' let y' know.
maybe true, but the film was shorter so you can't have everything in two hours.
I understand that. But they could have moved from one event/location to another more smoothly. Look at the Emma Thompson Sense & Sensibility ... it was no longer than P&P but it never felt rushed. (Of course, Thompson outright cut some of the minor characters, so it could be argued that she had less material to get through. Then again, she invented some material as well....)
what's historically inaccuacurate besides no bonnets?
Miss Bingley's sleeveless gown. Lizzie's hair throughout much of the movie. The general shabbiness and untidiness of everyone's clothes. The list goes on.
modern how?
Mostly in her deportment and attitude. To be fair, we can't be sure exactly how a Regency woman would carry herself, but Knightly just screams "modern movie star!" to me. I was impressed she did as well as she did with the role, but I'm not really a fan. And the screenwriter gave her some ridiculously feminist lines; one in particular bugged me, although I can't remember it now.
not true. Neither of those thoughts ever crossed my mind while watching the movie.
Just because you never noticed them doesn't mean they're not there. Of course, just because I did doesn't necessarily mean they are. But these are widespread criticisms of the film.
humanized how? I thought Lady Catherine deBourgh was perfectly despicable. And in the book you aren't really supposed to dislike either Mrs. Bennet or Mr. Collins.
I don't think I explained myself clearly. I meant that the film has been criticized for turning Austen's "caricatures" into "more human" characters. This is one of the points that I took from elsewhere that I don't really agree with. I'm not sure Mrs. Bennett is supposed to be quite as hysterical all the time as she is the '95 miniseries. Brenda Blethyn's Mrs. Bennett was underplayed but still very silly. I liked her in the role, as I did Tom Hollander as Mr. Collins and Judi Dench as Lady Catharine.
*gasp* LIES ! Bingley was perfect! I love him so much in this movie!
There was something charming about him in his stupidity, but still, he wasn't Bingley ... or at least not Austen's Bingley. In the book, he is high-spirited, but never awkward or slow. And he admits to not being bright in the movie.
I agree with that too, minus the dressed in next to nothing. They both had at least two layers of "nothing" on.
I was being silly. But they were pretty much wearing their nightclothes with one extra, loose layer on top. Neither of them would have gone outside in such a state. Again, not Austen.
To be honest, I probably shouldn't even be engaging in this debate. It's been forever since I watched the movie and it's been a rollercoaster ride since day 1 in terms of my opinion of it. Maybe next time I see it I'll like it better. I doubt it, though.
~~~~~
"You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it."
~~~~~
^I don't think of it as a scene. A pig just walks by and the camera shot is close to it's rear end. That's about it. What I never noticed was Lizzie looking at Wickham's rear.
PrinceCor: well I haven't seen Batman Begins. But I think that version of P&P squished everything in well. And I didn't notice any minor characters that didn't get the amount of screen time I thought they should get.
Edit; Lysander I'll answer you later I have to go to bed.
Inspired by my recent rereading of Jim Lovell's book Lost Moon, I watched Apollo 13 again over the weekend. Despite some liberties taken with the actual events (some were omitted, probably to simplify things and for running time), it's one of my favorite movies. Good casting and soundtrack. And look for a cameo by the real Jim Lovell near the end of the movie.
I love that movie! it was indeed casted really well! a fantastic movie!
NW sister - wild rose ~ NW big sis - ramagut
Born in the water
Take quick to the trees
I want all that You are
https://www.youtube.com/watch?v=EADBC57vKfQ
I've seen the movie a number of times and read the book. Definately one of the better book to movie adaptations (not to mention they had the real story to go with as well). Apollo 13 was one of the first movies I saw to my memory in the theater and it was really good.
As for Batman Begins, also very good for the superhero genre. Christian Bale was super and I haven't seen Liam Neeson go wrong yet. (his worst role I've seen was Qui-Gon Jinn and mostly due to the script, not him). Great cast, great use of minor characters, and overall simply well done.
Be watching for the release of my spiritual warfare novel under a new title: "Call to Arms" by OakTara Publishing. A sequel (title TBD) will shortly follow.