Hi all,
These were inspired by the shenanigans of Jadis once she left Charn.
The Queen, or the Witch (whichever you like to call her) had come up with them, holding on fast by Polly’s hair. That was why Polly had been shouting out “Let go!”
Without wasting a thought on her disappointment, she lunged forward, caught Aunt Letty round the neck and the knees, raised her high above her head as if she had been no heavier than a doll, and threw her across the room.
“Oh, Master Digory,” said the housemaid (who was really having a wonderful day), “I think Miss Ketterley’s hurt herself somehow.” So they both rushed into the drawing-room to find out what had happened.
The Witch, with a magnificent jump, had sprung clear just in time and landed on the horse’s back.
The term is over: the holidays have begun.
The dream is ended: this is the morning
I'm always unsure as to how I'm supposed to be evaluating AI art - is it a rating of your ability to write prompts, or is it a rating of the AI algorithm itself? in either case it feels more like a scientific endeavour than an artistic one...
Anyway, per the ones above by @DavidD, I feel like the period setting is off for most of them. The costumes and decor all look more like late 1700s colonial America rather than early 1900s London.
The horse one probably came out the best composition wise, but again the street doesn't look much like London of any era to me.
But like I said, it's hard to know what to say about Ai art overall, except maybe in the cases such as some of the Emma Mackey ones where they do at least offer a plausible rendering of what she might look like in costume.