I just reread the Magicians Nephew and one of the best qualities of Lewis' writing is in his ability to describe the subjective experience of Digory's' being present as the Song of Creation and the animating force of Life makes Narnia. Also in the Wood between the Worlds, the way that it is like an electric outlet, a hub of life force.

I can't wait to see and hear what that will be like in Gerwig's telling. I'm sure she'll use the language of a dream, but also of hyper reality. Green is the color of life, of chlorophyll, of fresh leaves. I hope she uses Phthalo Green. 

The Creation of Narnia is more like a reveal than a painting. in Lewis' thinking, it seems like there was a vacuum of goodness and beauty and Song. The blank world was not a blank white page, but just a vacuum, a remote, untouched world which moral order and joy and life had not touched. And so Aslan is like an earthly messenger of God, who breathes his order and music into the blackness. It will be tempting to visualize the scene as though a giant paintbrush is vibrating with song and painting a landscape and a sun, etc. But I think the more truthful visualization would be a breath revealing what is there already, but giving life to the matter and investing within it a will to live and to be good.

Darren Aronofskys' Noah (2014) has a phenomenal creation scene, but not quite as graceful and slow and symphonic as the Narnian creation.

What do you hope for in the Wood between the Worlds and The Creation of Narnia scenes? How can such powerful moments of life and creation be expressed using sound, music, visuals?